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Audi: Footsteps


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Motion Theory director Mathew Cullen teams with Venables Bell & Partners to create a heart-pounding pursuit across time for Audi that proves progress is more than a philosophy – it’s a force of nature. The :60 cinema version of "Footsteps" started airing Dec. 9th, while a :30 cut-down broke on television Dec. 3rd.

The goal was to craft a powerful experience that collapses 300 million years of human progress and technological evolution into an unbroken 60-second journey. The spot opens in primal pursuit – chasing evolving prehistoric tracks, as they race across changing terrain. As we gain momentum, each new set of tracks rapidly tells the story of mankind’s natural and technological development – before arriving at the final stage: automotive evolution. Here, we realize what we’ve been chasing – automotive technology advanced to its pinnacle: the Audi R8.
Credits Other credits

AGENCY

Business Manager: Susan Conklin

Broadcast Production Director: Craig Allen



PRODUCTION

Line Producer: Bernard Rahill



POST PRODUCTION

Head of VFX/VFX Supervisor: John Fragomeni

Senior VFX Producer: Mark Kurtz

VFX Coordinator: Paul Pianezza

Previs: Jeff Benoit

DFX Lead: Andy Cochrane

CG Lead: Marion Spates

Houdini Artists: Kevin Gillen, Ryan Phalen, McKendree Poston

Animator: Slavik Anishchenko

Matte Painters: Tim Clark, Elias Gonzales

Tracking: Jon Aghassian, Juan Colon, Colin Cromwell, Tim Donlevy, Dylan Jutt, Michael Karp, Candida Nunez, Jared Sanders

Roto/Paint Lead: Elissa Bello

Rotoscope Artists: Stephen Edwards, Megan Gaffney, Meredith Hook, Kenneth Lui, Carlos Rosario, Jackie Shibles, Midori Witsken

Lead Flame Artist: Federico Saccone

Flame Artists: Todd Hemsley, Chris Moore

Production Manager/HR Director: Tina Van Delden



EDITORIAL

Editorial Company: Motion Theory

Assistant Editors: Jeff Aquino, Rigo Madrigal



SOUND + MUSIC

Mixing House: Lime

Sound Design: 740 Sound Design

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